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High Fidelity, by Nick Hornby
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In celebration of its 20th anniversary, Penguin presents the unabridged, downloadable audiobook edition of High Fidelity by Nick Hornby, read by Russell Tovey.
Nick Hornby's first novel, an international best seller and instantly recognized by critics and readers alike as a classic, helps to explain men to women and men to men.
Rob is good on music: he owns a small record shop and has strong views on what's decent and what isn't. But he's much less good on relationships. In fact he's not at all sure that he wants to commit himself to anyone. So it's hardly surprising that his girlfriend decides that enough is enough.
- Sales Rank: #60514 in Audible
- Published on: 2015-04-16
- Released on: 2015-04-16
- Format: Unabridged
- Original language: English
- Running time: 488 minutes
Most helpful customer reviews
127 of 130 people found the following review helpful.
Top 5 reasons to read this book:
By J. Mullin
1. It is very original; 2. Biting wit and numerous laugh out loud moments; 3. Several pop music and movie references; 4. Startlingly accurate depictions of male post-breakup pathos; 5. Numerous London colloquialisms let us know how they live and speak in England.
I absolutely loved this novel. It was witty, exploring with a keen eye relationships and the reasons why men and women get together, and sometimes drift apart. Narrator Rob is a self-indulgent whiner who tries to make himself feel better after getting dumped by making lists to himself of "top 5 breakups", as well as lists of "top 5 breakup songs". He does something many of us 30-something men often think of doing, namely contact old flames out of an odd, morbid curiosity as to their whereabouts and marital status.
While Rob and his incessant ruminations on his past and present love life can sometimes get old, Hornby deftly changes gears whenever a change is needed and involves numerous excellent secondary characters, including record store employees and comrades-in-arms Dick and Barry (played amazingly well by Jack Black in the recent movie) as well as a folkie American female musician living in London. The scenes in Rob's second hand record store are priceless, as well as some memorable episodes in North London's pubs where Rob and the boys hoist a pint or two while they argue meaningless musical debates.
It is difficult to categorize the novel, but I can simply say that as a male of approximately the same age as the protagonist, it appeared Hornby (and Rob) were talking my language (albeit with a British flair), and I therefore breezed through this book quicker than most. You need not be male and over 30 to enjoy it, but reading it will reveal some of our secrets and obsessions. Pick it up, you won't be disappointed.
53 of 58 people found the following review helpful.
Wildly enjoyable; a hilarious dip in the pool of truth
By A Customer
I read this book twice -- once when I was single (loved it), and again while I was seven months pregnant, stranded with sciattica in my hotel room in Venice while my husband went sight-seeing. The hotel had a copy of HIGH FIDELITY in its small "lenders" library and I snatched it with huge relief. It was even better the second time. While bolts of pain shot down my left leg and my unborn son trounced merrily on my spine, I followed Hornby's tale of love, lust and ambiguity to its brilliant conclusion. Laughing out loud is difficult when you are third-trimester incontinent, but I managed. This is one of my favorite books -- wickedly funny, dead brutal, and absolutely uproarious in its twists. It is one of those rare books that can be equally enjoyed by both sexes -- Hornby is a riot, a writer's writer. I especially liked his use of music -- an added thread of interest to an already engrossing narrative. His characters are oddly real, compelling, a joy -- the dialogue crackles with life. I gasped more than once at his exhuberant style, his sure hand with the most delicate of subjects. If you read only one book this summer, make it HIGH FIDELITY. I would be dumbstruck if ABOUT A BOY were as startling, but I plan to give it a try. This man has it.
29 of 30 people found the following review helpful.
Lightweight but vastly entertaining
By Jacob G Corbin
I decided to give this book a read after seeing the excellent John Cusack film for the second time (and shame on you if you haven't seen it!). I wasn't sure what to expect of the novel, knowing as I did that, among other things, Cusack and director Stephen Frears had taken the liberty of relocating the story from London to Chicago. What other things might have been messed with?
Not much, as it turns out. Never in the history of book-to-film translations (with the possible exception of Fight Club) have there been fewer alterations and deviations from the novel than in the case of High Fidelity. This is aided, of course, by the fact that the book, in trade paperback, consists of a slim 323 double-spaced pages. The end result is that in the film, no important scenes are omitted, and hardly any characters got the axe either. The flip side of the coin is that the book, as fiction, is a bit of a light lunch. Like the movie, the novel is narrated by Rob, the beleaguered owner of one of those wonderful out-of-the-way (translation: customer-free) used record stores, this one being named Championship Vinyl. After being abandoned by his pretty and smart girlfriend Laura for an aging, hawaiian-shirt- and ponytail-sporting, incense-burning New Age hipster named Ian, the perplexed Rob - who thinks in Billboard-style lists - goes on to tell us the stories behind his "all-time desert island top five" breakups, while in the present day desperately trying to win back his skeptical ex. Comedy ensues.
This sort of story's been done before, of course, but one of the neat little twists is the tour Hornby gives us of the musical culture, where respect is earned by stumping people with encyclopedic knowledge of bands like Echo and the Bunnymen, and the undisguised contempt that the music elite, like the elites of all niche groups, express towards the everyday civilian. The pop culture at large permeates every facet of High Fidelity - certain passages don't make much sense unless you know what Rob means when he says, for instance, that someone reminds him of a character from Reservoir Dogs. This, of course, makes the book very much a novel of the 1990s - probably not something to be read twenty or thirty years from now - but unlike similar name-dropping books and movies, this novel is introspective about its own inseparable connection to the transitory. And this cuts to the heart of Rob's problems, because he's let the worship of the impermanent take over his life. "Do I listen to pop music because I'm miserable," he muses, "or am I miserable because I listen to pop music?" Like all mass-culture junkies, Rob mourns for the loss of old favorites while simultaneously trying to get his hands on the next big thing. So it is with his love life.
Rob could easily come off as a narcissistic jerk, but Hornby neatly pulls off the trick of making us see where he's been sabotaging his relationships with women with sympathy rather than scorn. And the mistakes Rob makes are the mistakes that many men have made, though perhaps not so hilariously. The book is short (another way of putting it, of course, is that it never outstays its welcome) and full of suitably quotable lines. The London setting really makes no difference to the story one way or another (though the British school system continues to confound me: for a while I was under the impression that the "sixth form" was akin to our sixth grade, and thus was in for a shock when Rob's youthful counterpart began indulging in heavy petting). As a comedy, High Fidelity is excellent, though as literature it's basically junk food; but for the eight or ten hours I was reading the book, I was fully under its spell. If we're being honest, how many other books can we say that about? I don't want to seem like I'm damning with faint praise: good comedy is harder by far than it looks, and even rarer is a book that leavens the humor with thoughtful characterization and crisp prose.
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